Culture and Coexistence into the Great Unknown
Gigantic steel, concrete and wire trees rise from manicured serpentine gardens, human-blessed symmetry reaching skyward. At the bay’s edge, two sustainably-designed domes invite visitors to explore world biomes and horticultural paradises. A public amusement park, ecological urbanism designed to invite the populace to rediscover the earth, a visit to Singapore’s Gardens by the Bay evokes a green wonderland, human-designed, artistically crafted, growing “wild” and sort-of-natural.
The Popol Vuh (Maya K’iche’ for “Council Book” or “Book of the Community”) features a creation myth, the Dawn of Life under the spectre of a flooded world, followed by the epic mythological stories of two Hero Twins: Hunahpu (Blow-gun Hunter) and Xbalanque (Young Hidden/Jaguar-Sun) as they confront the Lords of Death and Disease in the underworld caves of the “Place of Awe.”
“Metropolis” hallucinates a futuristic city, a paradise of glass and steel, where underground workers toil endlessly at the giant machines that run the world above. Controlled by the autocratic industrialist, his spoilt son falls for the working class prophet who envisions some mediation between workers and managers. Noted science fiction author H. G. Wells reviews the controversial 1927 masterpiece.
The Earth has a voice. And the fact that any native people have survived on the planet should be a clue that there’s a way that does not include money and politics. We have survived by our relationship with natural force. Water is sacred. Air is sacred. If the tar sands isn’t stopped, we are going to have a whole new set of problems.
Converting freeway lanes to tollways in the name of congestion management, without viable transit alternatives, will only reduce mobility for the majority in exchange for wealthy drivers getting to work on time.
We are cut off from the healing calm of nature, we drive in gridlock inhaling carbon monoxide, and spend our leisure enclosed in a cold dark movie theater or dine at all-you-can-eat fried-food-extravaganzas. Hence, people often undertake a number of calorie-limiting diets and fasting regimes, which also may include connecting with the forests and oceans or communing with animals out in the wilds.
“Divine Horsemen: The Living Gods of Haiti” journeys into the world of the Vodoun religion, communing with the drums and loa rituals, made by avant-garde filmmaker Maya Deren between 1947-1951.