Culture and Coexistence into the Great Unknown
California Fish and Game Commish’s mountain lion sport hunting, contrary to the assertions of many “sportsmen” does not provide a service of managing wildlife habitat. It typifies the senseless need for (usually) white men to shoot thriving wild animals for “fun.”
Baum’s “Wizard of Oz” as a Utopian American Dream soft-peddles an anti-nature-prejudice amid dazzling urban-industrial landscapes. This bias at the expense of the earth’s resources has led us to today’s environmental and economic collapse.
Since the time of the Louisiana Purchase, the people of the United States have worked to tame the Bitteroot Mountains of Idaho and Montana, but the rushing rivers and wandering wolves still retain the air of the wild.
Even Houston, the fossil-fuel-driven, no-zoning-free-market-build-here-there-everywhere-city has found its sustainable voice with the water-park-wildlife-habitat reclamation of Buffalo Bayou.
San Diego, a militarized metropolis with a deeply stratified economy, began as a series of villages amid canyons served by public transit, transformed into freeway-close suburban sprawl, but slowly reimagines the sustainable village model.
An undetermined amount of radiation escaped from San Onofre nuclear power plant after a water leak, and a whistleblower expresses concerns abouts repeated expensive and potentially dangerous problems.
Eagle Rock’s Welcome Inn transformed into a micro-concert grand finale for Los Angeles’s Pacific Standard Time Performance and Public Art Festival on Sunday, January 29th. The Society for the Activation of Social Space through Art and Sound produced this free, six-hour event.