A US-taxpayer-funded war on drugs in Central America is expanding with “Counter Terror Squads,” targeting indigenous people, citizen activists, and even independent journalists. It must be stopped.
Author: The Outpost
Chumash Healing With Spirit: A Tribute to Cecilia Garcia
To honor the soul transition of Chumash teacher and healer Cecilia Garcia, we share an article written by her and USC Professor Jim Adams on mind, body and spirit healing.
Extreme Water: Tapping the California Desert to Feed Growth Addiction?
Cadiz Inc.’s potentially lucrative groundwater mining proposal for the Mojave Desert intends to water lawns and pools for suburban Southern California at the expense of taxpayers and ultimately the desert ecosystem. The company could realize $1 billion to $2 billion in revenue over the plan’s 50-year life. Opponents say public resources are being used for private profit.
Caribbean Garífuna: Masked Warriors Dance into the New Year
The masked dance ritual called Wanaragua, takes place as part of the New Year’s celebration among the Garífuna villages on the Caribbean Coast of Central America.
Panama Hydroelectric “Clean Energy”: Village of the Dammed
Huge new hydroelectric dam projects now underway call for damming pristine rivers and flooding virgin rainforest, home of the Ngäbe People. The Panamanian government deems it vital for economic growth, with multinational corporations cashing in. Even the UN has awarded carbon credits predicated on “sustainably” produced energy.
Papua New Guinea: Sepik River Initiation and the Crocodile Cult
Crocodiles feature in the legends and rites of passage of various Sepik tribes, sharing a belief in ancestral ties to the aquatic reptile. Risks from mining in the upper river threatens the health of the people of the basin.
Monte Schulz: Dreaming Jazz America in “The Big Town”
“Monte Schulz’s *The Big Town* exposes decadence, wealth and consumption in Jazz Age America as spiritual myopia — where desperate, haunting characters hinge their lives on impossible dreams. This lyrical, gripping novel is as close to 1920s America as it gets, and penned with such frightening realism that the chaos of a bygone era erupts from its pages.” – Simon Van Booy