Samuel Beckett’s legacy endures, and reaches far beyond the written word. Of all the English-language modernists, Beckett’s work represents the most sustained attack on the realist tradition, dispensing with conventional plot and the unities of time and place in order to focus on essential components of the human condition.
Performance arts, music, film, drama and literature, creative expressions presented on the world stage seeking earth balance, harmony, dissonance, abstraction and concept.
The Art Of Sounds is a 2007 documentary on French electronic music pioneer Pierre Henry (1927 – 2017). Henry, along with his colleague Pierre Schaeffer, creating a form they dubbed musique concrète – an approach to electronic music based on using recorded sampling (also known as ‘found-object’) as source material.
Santa Barbara Literary Journal releases Bellatrix: Volume 3 this June, which among adventurous fiction, poetry, essays, and lyrics, features an excerpt of Jack Eidt’s psychic-animism fiction, Medicine Walk. Join us for readings and other entertainments in SB on June 14.
Pauline Oliveros was a vital creator of new music, a renowned electronic art music innovator and composer, an accordionist, the founder of deep listening and other experimental practices, a genius inventor of sound-making software, and a fearless champion on issues of gender, race, ability, and sexual orientation. Following is an essay on her “Sonic Meditations.”
In this episode of EcoJustice Radio, host Jack Eidt speaks with Ryan Killackey, filmmaker of the award-winning documentary film set in the Ecuadorian Amazon, “Yasuni Man.” Plus, Zoe Cina-Sklar, campaigner for the #EndAmazonCrude effort by Amazon Watch, shares how California communities can play a powerful role in the fight for a just transition off fossil fuels.
Idrissa Ouédraogo, whose simple, carefully observed movies about cultural change in Burkina Faso and elsewhere in Africa, brought him international acclaim and a top award at the Cannes International Film Festival, recently died. We share his first film, Yam Daabo (The Choice) about a family facing famine in the Sahel.
His alter-ego Zuckerman, unconsciously frightened of success and of failure, frightened of being admired and also despised, frightened of being frightened, he unconsciously suppressed his talent, frightened of what it might do next. On the passing of Philip Roth, we look into his often black comic chronicles of an imagined life, his taking down and reshaping the meaning of ‘Jewish American’, and his play at historic re-creating the zeitgeist within the form of the novel.