Culture and Coexistence into the Great Unknown
Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure among architects, politicians and policy makers. A 2012 documentary unveiled the many witting and unwitting villains, including urban poverty, public policy enforced racial segregation, and urban disinvestment in favor of the White Suburban Dream.
Cassavetes’ Shadows “improvises” Beat Generation Manhattan, where two brothers and a sister, black but inexplicably played by two white actors, careening off track to scaled-back sketches of Charles Mingus’ saxophone jazz yearnings. Black and white neon signs blink and the old Times Square looms like the otherworld, naturalistic cordial racism separating the chosen from the downtrodden, both dreaming of making it, of creating something.
Apart from articulating a debate on race and rhythm, black nationalism and the urban struggle in the 1950s US, the 1959 experimental film “The Cry of Jazz” shows cosmic philosopher and Afro-futurist Sun Ra during his Chicago period.
The Seventh Seal (Det Sjunde Inseglet) is a 1957 Swedish film written and directed by Ingmar Bergman. Set in Sweden during the Black Death, it tells of the journey of a medieval knight and a game of chess he plays with the personification of Death, who has come to take his life.
The collaboration of trumpeter Miles Davis with Gil Evans’ orchestral arrangement and composition elevated “the new thing,” freeing modern jazz from big-band swing with lyrical-literary French horns and tuba and Davis taking up the flugelhorn.