Culture and Coexistence into the Great Unknown
The documentary “Heart of Sky, Heart of Earth” presents an alternative worldview to industrial capitalism consuming the earth, following six young Maya into their daily and ceremonial life, revealing their determination to resist the destruction of their culture and environment.
I go outside – and all up and down the street – the green armies shoot color – like an everlasting 4th of July, – and I too seem to swell inside, – a kind of unknown bursting, – a feeling, perhaps, that there isn’t any – enemy – anywhere
“America could have been a fantastic monument to all the best instincts of the human race. Instead, we just moved in here and destroyed the place from coast to coast like killer snails. Everybody wants power over a country that’s had it’s day.”
Jack Kerouac wrote in 1950: “I wish to evoke that indescribable sad music of the night in America–for reasons which are never deeper than the music. Bop only begins to express that American music. It is the actual inner sound of a country.”
Burroughs wanted to free people from the slavery of addiction, whether to heroin or money or sex. “The Garden of Earthly Delights” was his shorthand for the diseased saturnalia of American affluence. From his earliest writings Burroughs foresaw a time when human beings, drenched in orgasmic “freedom,” would be reduced to their bodies, their minds completely manipulated by advertising and mass media.
Composer, dishwasher, hobo, fruit picker, sailor, microtonal theorist, instrument builder, writer, visual artist, philosopher, musicologist, iconoclast teacher Harry Partch was one of the first 20th Century composers to work with microtonal scales, writing much of his music for custom-made instruments that he built himself, tuned in 11-limit (43-tone) just intonation.
“Divine Horsemen: The Living Gods of Haiti” journeys into the world of the Vodoun religion, communing with the drums and loa rituals, made by avant-garde filmmaker Maya Deren between 1947-1951.