Culture and Coexistence into the Great Unknown
Takeaways from a recent Green Festival Expo discussion on the Los Angeles River Revitalization include that the job of planning for water resiliency belongs to all of us, not Frank Gehry regardless of his recent charge, and we must also consider how public access, parkland, ecosystem restoration, cargo and passenger rail, bicycle greenways, and anti-gentrification environmental justice will fit into the mix. Collaboration is the key.
Architecture must move on from an addiction to spectacle and fad, adrift in a sea of meaningless forms, leaving serious design and sustainability problems unresolved, says Peter Buchanan. But to do this will require a more critical perspective from architectural academe and the media.
Hans Hollein, artist, designer, theoretician and Pritzker Prize-winning architect from Vienna, who breathed postmodernist life into everything from buildings to furniture to tableware, died recently. Julie Iovine writes on this multi-dimensional creative force, particularly known for his museum design, including Vienna’s Haas House (1990) and Frankfurt’s Museum of Modern Art.
Developer David Mirvish hopes his string of sculptural towers in Toronto arts district will provide an antidote for the banality of the traditional glass box condo tower. “I am not building condominiums,” he said at the announcement. “I am building three sculptures for people to live in.”
John Adams’ “The Dharma at Big Sur,” composed for the opening of LA’s Disney Hall, references Jack Kerouac’s evocation of the first of Buddha’s Four Noble Truths in microtones, celebrating the freedom of the California coast at Big Sur.