Culture and Coexistence into the Great Unknown
Harry Partch, leader of the Geo-Fauvist (wild-earth) composers, and 20th Century pioneer in working systematically with microtonal scales, also built custom-made instruments in these tunings on which to play his compositions. Watch the documentary The Outsider, The Story of Harry Partch.
Lou Harrison: A World of Music is an intimate portrait of an eclectic composer who traded a fast-paced New York career for a remote cabin in the woods. Harrison, a polymath, iconoclast, writer and activist, embraced artistic playfulness over the business of composing. Experimenting freely with western, eastern and custom made instruments, Harrison forged a new course for 20th century music.
Composer, dishwasher, hobo, fruit picker, sailor, microtonal theorist, instrument builder, writer, visual artist, philosopher, musicologist, iconoclast teacher Harry Partch was one of the first 20th Century composers to work with microtonal scales, writing much of his music for custom-made instruments that he built himself, tuned in 11-limit (43-tone) just intonation.
Partch broke with European tradition and forged a new music based on primal integration of sound and speech, using self-designed instruments tuned with natural acoustic resonance or just intonation. The result was a beautiful sound and vision with “magical purpose.”
The metaphorical island of Anaphoria is fertile territory for microtonal composer and sound artist Kraig Grady. One senses in his ringing, vibrating, just intonations, Native American chants, Indonesian gamelan orchestras, Japanese gagaku, African drumming down the spirits steeped in harmonic relations found in nature.