Bosco Verticale or Vertical Forest, the first phase of BioMilano, a re-envisioning of Milan, Italy, with an eye toward ecological urbanism, integrating tree and skyscraper, city and wild.
Tag: Jack Eidt
Papua New Guinea: Rainforest World of Sustainable River Guardians
The Sacred Land Film Project captured a revival of a canoe ceremony with feasting, dancing and carving, honoring their sacred Ramu River. The region is part of the third largest intact rainforest ecosystem left on earth, where sustainable agriculture and forestry practices have allowed societies to thrive for thousands of years, now threatened by multinational logging interests and corrupt governmental entities.
Maya Ruins at Tikal: A New Beginning at Winter Solstice
Twenty five hundred years ago, a group of peoples settled Tikal, surrounded by the lowland rainforests of the Petén Basin of northern Guatemala. Their descendants would create a remarkable civilization that populated cities and villages across much of southern Mexico, Belize and Guatemala. Today, it has returned to the forest but turned into a major archeological attraction.
Matt Pallamary: Guaraní Shaman’s Quest for “Land Without Evil”
Matthew Pallamary’s acclaimed novel “Land Without Evil,” recently performed as an aerial acrobatic stage show, narrates the true story of a young shaman of the Guaraní people of South America facing European conquest and conversion to Catholicism in the 1700s.
Wilderness of Minarets: On the Coyote Trail of Muir and Adams
I am on the trail of John Muir, intending to walk into the wild high country, his “range of light,” inspired by the vision of Ansel Adams who once said: “Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum.”
Maximón: The Underground Great Grandfather of Western Guatemala
Maximón is a folk saint of the Maya of Guatemala, associated with pre-Columbian earth lords who provide money or economic opportunity to client-petitioners. He is an opener of the way, a bringer of rain and symbolizes male sexual power.
Day of the Dead: Mexica Dance Honoring the Soul’s Rest
In the pre-Hispanic era, skulls were kept as trophies and displayed during the rituals to symbolize death and rebirth. These ancestors passed down the knowledge that souls exist after death, resting in Mictlan, the land of the dead, not for judgment or resurrection, but for the day each year when they could return home to visit their loved ones.