Cassavetes’ Shadows “improvises” Beat Generation Manhattan, where two brothers and a sister, black but inexplicably played by two white actors, careening off track to scaled-back sketches of Charles Mingus’ saxophone jazz yearnings. Black and white neon signs blink and the old Times Square looms like the otherworld, naturalistic cordial racism separating the chosen from the downtrodden, both dreaming of making it, of creating something.
Tag: Maya Deren
Like several West African religions, Vodouisants believe in a supreme being called Bondyè, from bon “good” + dyè “God.” Because Bondyè is unreachable, Vodouisants aim their prayers to lesser entities, the spirits known as Lwa (Loa), contacted and served through possession. In turn, the Lwa confer material blessings, physical well-being, protection, abundance.
“Divine Horsemen: The Living Gods of Haiti” journeys into the world of the Vodoun religion, communing with the drums and loa rituals, made by avant-garde filmmaker Maya Deren between 1947-1951.