An Array of Utopian Flowers
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Native Habitat: Preserving the Wetlands of the World
Posted on June 20, 2022 | No Comments -
Solidarity Actions on Climate Justice – Stopping Pipelines and Dirty Banks
Posted on June 13, 2022 | 1 Comment -
Climate Change in the Desert with Ecologist James Cornett
Posted on June 5, 2022 | 1 Comment -
30 Days of Wearing My Trash with Rob Greenfield
Posted on May 29, 2022 | No Comments -
Reforest the Earth: Planting Old Growth Trees in Fight Against Climate Change
Posted on May 22, 2022 | No Comments
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WilderUtopia in 102 Languages
Daily Dose of the Wild
Twittering from the Trees
‘Medicine Walk’ Featured in SBLitJo
Santa Barbara Literary Journal released ‘Bellatrix: Volume 3’ in June 2019, which among adventurous fiction, poetry, essays, and lyrics, features an excerpt of Jack Eidt’s psychic-animism fiction, Medicine Walk. Buy the book!
Orson Welles Archive
Stranger in Tangier: Paul Bowles Under The Sheltering Sky
Posted on November 14, 2017 | 3 CommentsPaul Bowles during his life (1910-1999) remained aloof from all the hipsters and hypesters of U.S. letters. Living in self-imposed exile in Tangier, he had cast a spell over such talents as Tennessee Williams, Libby Holman, Truman Capote, and Allen Ginsberg. We revisit an essay penned by Jay McInerny in 1985, on how the inimitable expatriate writer-composer's dark arts retain their power, even more so 32 years later.Improvised Beat Generation Dreams of John Cassavetes
Posted on August 17, 2016 | 2 CommentsCassavetes' Shadows "improvises" Beat Generation Manhattan, where two brothers and a sister, black but inexplicably played by two white actors, careening off track to scaled-back sketches of Charles Mingus' saxophone jazz yearnings. Black and white neon signs blink and the old Times Square looms like the otherworld, naturalistic cordial racism separating the chosen from the downtrodden, both dreaming of making it, of creating something.Orson Welles: Tragic Hero, Sacred Monster, Profane Clown
Posted on July 3, 2014 | 3 CommentsOrson Welles, the cinematic genius who ended his days selling cheap wine, was both noble and feeble, titanic and pathetic, sacred monster and profane clown, says Peter Conrad. We take samples from his oeuvre, his noir thriller The Stranger and his stylistic fragmentation, Othello.