Prehistoric paintings on vertical rock faces in an Amazonian wilderness in Colombia were recently photographed and filmed for western eyes. The pretense of this British filmmaker as the “discoverer” of the paintings is of course ludicrous. The once populous Karijona Tribe most likely painted these masterpieces, and continue to live uncontacted in the vast rainforest, and anthropologists and explorers have studied the region for hundreds of years.
The fracking boom threatens Puebloan and Hopi ancestral homelands around New Mexico’s sacred Chaco Canyon and local Diné communities are fighting drilling, pipeline projects and just general industrialization of their region without bringing real economic development. See the videos from the Solstice Project.
The Hopi curse of Koyaanisqatsi marks the total disintegration of the life of harmony and balance. The subject of a 1982 tone poem of modern day environmental devastation by Godfrey Reggio, also shown in the mythological destruction of the ancient Hopi city of Pivanhonkyapi.