An Array of Utopian Flowers
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Native Habitat: Preserving the Wetlands of the World
Posted on June 20, 2022 | No Comments -
Solidarity Actions on Climate Justice – Stopping Pipelines and Dirty Banks
Posted on June 13, 2022 | 1 Comment -
Climate Change in the Desert with Ecologist James Cornett
Posted on June 5, 2022 | 1 Comment -
30 Days of Wearing My Trash with Rob Greenfield
Posted on May 29, 2022 | No Comments -
Reforest the Earth: Planting Old Growth Trees in Fight Against Climate Change
Posted on May 22, 2022 | No Comments
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WilderUtopia in 102 Languages
Daily Dose of the Wild
Twittering from the Trees
‘Medicine Walk’ Featured in SBLitJo
Santa Barbara Literary Journal released ‘Bellatrix: Volume 3’ in June 2019, which among adventurous fiction, poetry, essays, and lyrics, features an excerpt of Jack Eidt’s psychic-animism fiction, Medicine Walk. Buy the book!
Pier Paolo Pasolini Archive
The Ongoing Reconsideration of Pier Paolo Pasolini
Posted on August 30, 2014 | 1 CommentChampion of the disinherited of postwar Italy, Pier Paolo Pasolini's masterworks prefigured his country's fall to a consumerist Heart of Darkness, an uncompromising vision that may have led to his own wretched death. A biopic by Abel Ferrara that premiered at the Venice biennale reconstructed the last hours of the Italian film director, who was murdered in 1975.Pier Paolo Pasolini: A Subversive Champion of the Disinherited
Posted on March 11, 2013 | 4 CommentsAlmost forty years after his violent death, Pier Paolo Pasolini, filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around intellectual public figure, remains a subject of passionate argument. Best known for a subversive and difficult body of film work, loaded with Renaissance and Baroque iconography, he championed the disinherited and damned of postwar Italy, mingling an intellectual leftism with a fierce Franciscan Catholicism.Federico Fellini: Intuitive Visual Art
Posted on October 3, 2012 | 4 CommentsFellini in the 1969 experimental documentary on US television opines on his Felliniesque creative process: "I think almost exclusively in images, which explains why an actor's face and body are more important to me than plot structure . . . . The key word to understanding my kind of cinema is vitality. What I seek is to live the expression itself."