Culture and Coexistence into the Great Unknown
On the 50th anniversary of the My Lai massacre in the Vietnam War, we honor the efforts of Army helicopter pilot Hugh Thompson to stop the madness and endure the quest for truth, and share the Vietnamese-made documentary, ‘The Sound of the Violin in My Lai’.
One of Africa’s most rare-minerals-rich countries, the Democratic Republic of Congo, has endured Belgian colonization, slavery, and continuing atrocities, where militant groups control the extraction of “conflict resources.” The tech industry turns these extracted raw materials into components of mobile phones and computers. Yet the cost is deadly.
The 2014 film controversially reinstated the radical legacy of Rev. Dr. Martin Luther King Jr., where he spoke out against war and poverty and was marginalized by the political establishment as a result. This review of Ava DuVernay’s Selma is by Zaid Jilani.
John Pilger writes on how George Orwell’s dystopian vision of the future in 1984 is happening today in the form of media manipulation and unnecessary wars, and the movement goes unchallenged.
A former leader of American Jewish Congress has strongly condemned Israel’s war on the Gaza Strip, saying “the Zionist dream is based on slaughter of innocents.” Henry Siegman, now President of the US/Middle East Project, spoke recently on Democracy Now on the need to end the occupation and grant sovereignty to the Palestinian People to end this conflict.
To achieve justice and peace in Israel, its popular portrayal as the victim of Palestinian aggression must be replaced with the state accepting responsibility in its role as a colonial power with all the attendant political, military, and financial hegemony. As an occupying power, they must protect the civilian population, and their actions must be proportional and measured towards perceived injustice, granting rights and self determination to the Palestinian people. Otherwise, war, death, hatred, and instability will continue. Essay by Ajamu Baraka with two films by John Pilger.
Gillo Pontecorvo’s 1966 masterpiece, “The Battle of Algiers,” as a study of the brutality of urban guerrilla warfare, serves an Arab-street-level counterpoint to Kathryn Bigelow’s US-imperialism-centered, torture-driven war propaganda film, “Zero Dark Thirty.”