Culture and Coexistence into the Great Unknown
Prehistoric paintings on vertical rock faces in an Amazonian wilderness in Colombia were recently photographed and filmed for western eyes. The pretense of this British filmmaker as the “discoverer” of the paintings is of course ludicrous. The once populous Karijona Tribe most likely painted these masterpieces, and continue to live uncontacted in the vast rainforest, and anthropologists and explorers have studied the region for hundreds of years.
On July 11, Los Angeles joined communities across North America to call for a halt to shipping volatile and toxic crude oil via unsafe rail cars, which has caused numerous derailment explosions during the last six years as the practice has increased 4,000%. In particular, activists call for the City of L.A. to protect their communities and $1.3 billion river revitalization by opposing a crude by rail expansion in San Luis Obispo.
The time for action against oil trains is now! On Saturday, July 11, SoCal 350 Climate Action and its regional partners rallied at L.A.’s Union Station and held a teach-in in front of Olvera Street, calling for an end to bringing exploding bomb trains loaded with tar sands and other volatile crude oils into our communities.
Jack Eidt of WilderUtopia spoke on the dangerous race for global control by the Chinese through mega-development projects such as the Gran Canal of Nicaragua and the Trans-Amazonian Railway, both with major human rights, ecological, and indigenous sovereignty consequences.
This is the first post in a series where I present the case for Geo-Fauvism, a growing movement of wild earth inspiration in art, literature, music and design. Taking off from the early 20th Century French art “Fauvists” or “Wild Beasts,” these cross-disciplinary creations respond to and react against the collapse of global environmental systems, the destruction of indigenous earth-based societies, and a narrowing of cultural opportunities in the mainstream corporatized media. Geo-Fauvists create to reconnect with the wild and heal humanity’s rift with the landscape, building a new community based on integration with the ecosystem.
What kind of President would Hillary Clinton be? According to her record, she has consistently favored big business, multinational billionaires and the national security state, at the expense of the “everyday Americans” she claims to “champion.” Not in the least progressive.
In the sobering aftermath of World War I in Zurich, Dada preached a radical-yet-whimsical philosophy of creativity, a self-styled anti-art. Random and meaningless by definition, calculatedly irrational by design, for a short time the movement spread like revolt to the US and across Europe, voicing the bizarre protest of a brave new community of artists and writers.