Culture and Coexistence into the Great Unknown
Honduras’ Garífuna people, with their rich culture and homeland spread across the Caribbean Coast of Central America recently asked an international court in Costa Rica to help them recover ancestral land, which they say has been lost to development. We present the dark and the light of this vibrant way, threatened by neoliberal development schemes, palm oil plantations, mega-tourism, and drug trafficking.
A planned 300-kilometer Nicaraguan canal joining the Pacific and Atlantic Oceans could wreak environmental and cultural ruin, home of the Miskitu and other indigenous groups. Sam Gordon argues that many of the issues and impacts are hidden from public view and should require an independent environmental assessment.
Hutash, the Earth Mother, created the first Chumash people on the island of Limuw, now known as Santa Cruz Island. They were made from the seeds of a Magic Plant.
Austrian media artist Bartholomäus Traubeck has custom-built a record player that is able to “play” cross-sectional slices of tree trunks. The result is his art piece “Years,” an audio recording of tree rings being read by a computer and turned into music, much like a record player’s needle reads the grooves on an LP.
Using Phoenix, Arizona, as an example of where global warming has resulted in inhuman heat and extreme weather, Jerry Adler in Smithsonian wonders if human beings will be able to keep their cool? New research suggests not.
Paul Gauguin, the bourgeois-turned-bohemian artist who left France for Tahiti, reveals a darker, almost menacing mythological vision, in contrast to his exploitative picture-postcard fantasy-native Polynesian paintings for which he is known. The exhibition continues at MoMA in New York until June.
Apart from articulating a debate on race and rhythm, black nationalism and the urban struggle in the 1950s US, the 1959 experimental film “The Cry of Jazz” shows cosmic philosopher and Afro-futurist Sun Ra during his Chicago period.