Culture and Coexistence into the Great Unknown
Film and music of shimmering yet jarring beauty play together on a South Seas beach in “Legong: Dance of the Virgins.” It’s a rarely screened 1935 silent movie, shot entirely in Bali with a Balinese cast, mixed with a new score by Club Foot Orchestra and Gamelan Sekar Jaya. Presented in a crude but rich two-strip early Technicolor process, one of the last silent films made by Hollywood, it depicts Bali as Westerners idealized it at the time.
Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is director Vittorio De Sica’s 1948 story of a poor father searching post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Robert Pinsky on Sylvia Plath: “Thrashing, hyperactive, perpetually accelerated, the poems of Sylvia Plath catch the feeling of a profligate, hurt imagination, throwing off images and phrases with the energy of a runaway horse or a machine with its throttle stuck wide open.”
Almost forty years after his violent death, Pier Paolo Pasolini, filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around intellectual public figure, remains a subject of passionate argument. Best known for a subversive and difficult body of film work, loaded with Renaissance and Baroque iconography, he championed the disinherited and damned of postwar Italy, mingling an intellectual leftism with a fierce Franciscan Catholicism.
Gillo Pontecorvo’s 1966 masterpiece, “The Battle of Algiers,” as a study of the brutality of urban guerrilla warfare, serves an Arab-street-level counterpoint to Kathryn Bigelow’s US-imperialism-centered, torture-driven war propaganda film, “Zero Dark Thirty.”
The Seventh Seal (Det Sjunde Inseglet) is a 1957 Swedish film written and directed by Ingmar Bergman. Set in Sweden during the Black Death, it tells of the journey of a medieval knight and a game of chess he plays with the personification of Death, who has come to take his life.
Dr. James Hansen: We can fix this. The answer is a price on carbon. We must make the price of fossil fuels honest, reflecting their cost to society including the economic devastation wrought by storms like Sandy, the toll on farmland and ecosystems, as well as priceless human lives.