Culture and Coexistence into the Great Unknown
In this episode of EcoJustice Radio, we seek to gain a broader understanding of the conflict between Armenia and Azerbaijan. We discuss the fight for self determination over the region known as Artsakh or Nagorno-Karabakh, with guests Vache Thomassian, Glendale Board Member of Armenian National Committee of America and Dr. Djene Bajalan, Assistant Professor at Missouri State University.
Facing cultural genocide at the turn of the 1900s, the Kwakwaka’wakw (Kwakiutl) people’s way of life in northern Vancouver Island were protected and preserved by the work of anthropologist Franz Boas and photographer Edward S. Curtis.
Surrounded by volcanoes, coffee plantations, and picturesque villages, the once-ruined former colonial capital, Antigua Guatemala, remains the most charming city in the Republic, a vibrant and somewhat overly commodified mix of Ladino-Spanish, Kaqchikel-Maya, and multinational Gringo cultures coming together.
To achieve justice and peace in Israel, its popular portrayal as the victim of Palestinian aggression must be replaced with the state accepting responsibility in its role as a colonial power with all the attendant political, military, and financial hegemony. As an occupying power, they must protect the civilian population, and their actions must be proportional and measured towards perceived injustice, granting rights and self determination to the Palestinian people. Otherwise, war, death, hatred, and instability will continue. Essay by Ajamu Baraka with two films by John Pilger.
Paul Gauguin, the bourgeois-turned-bohemian artist who left France for Tahiti, reveals a darker, almost menacing mythological vision, in contrast to his exploitative picture-postcard fantasy-native Polynesian paintings for which he is known. The exhibition continues at MoMA in New York until June.
Film and music of shimmering yet jarring beauty play together on a South Seas beach in “Legong: Dance of the Virgins.” It’s a rarely screened 1935 silent movie, shot entirely in Bali with a Balinese cast, mixed with a new score by Club Foot Orchestra and Gamelan Sekar Jaya. Presented in a crude but rich two-strip early Technicolor process, one of the last silent films made by Hollywood, it depicts Bali as Westerners idealized it at the time.
Part II of the story of the Virgin of Guadalupe, part of the Spanish colonial appropriation of the Aztec Earth Mother Tonantzin: The future St. Juan Diego Cuauhtlatoatzin explained to the Bishop of Mexico City how the Virgin appeared to request a temple be built at Tepeyac in her honor.