Almost forty years after his violent death, Pier Paolo Pasolini, filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around intellectual public figure, remains a subject of passionate argument. Best known for a subversive and difficult body of film work, loaded with Renaissance and Baroque iconography, he championed the disinherited and damned of postwar Italy, mingling an intellectual leftism with a fierce Franciscan Catholicism.
Gillo Pontecorvo’s 1966 masterpiece, “The Battle of Algiers,” as a study of the brutality of urban guerrilla warfare, serves an Arab-street-level counterpoint to Kathryn Bigelow’s US-imperialism-centered, torture-driven war propaganda film, “Zero Dark Thirty.”
The Seventh Seal (Det Sjunde Inseglet) is a 1957 Swedish film written and directed by Ingmar Bergman. Set in Sweden during the Black Death, it tells of the journey of a medieval knight and a game of chess he plays with the personification of Death, who has come to take his life.
Ikland recounts a quest to re-connect with the Ik people. For producer Cevin Soling, they represented the last outpost of imagination in a world devoid of myth. Soling and his crew risked their lives by traveling through war-ravaged northern Uganda to reach them. Their experience was alien and surreal in ways only Jonathan Swift might have imagined…
“Beasts,” a hard-knock ecological fairy tale about the disappearing Louisiana bayou cultures and coastline, highlights the fragility of the region’s hurricane defenses and the resulting devastation of communities living on the flooding margins.
I go outside – and all up and down the street – the green armies shoot color – like an everlasting 4th of July, – and I too seem to swell inside, – a kind of unknown bursting, – a feeling, perhaps, that there isn’t any – enemy – anywhere