Guy Zimmerman, in reviewing the new Wall Street film The Big Short, muses on the desperate conformity required in today’s entertainment in this new Gilded Age of oligarchy and disempowerment that has overtaken culture in the U.S.
Los Angeles comes alive this November and December, sponsored by SoCal 350 Climate Action, in calling for global climate agreements at the upcoming UN conference in Paris. This includes the Global Climate March (Nov 29) at L.A. City Hall, the Vision L.A. Climate Action Arts Festival (Nov 30 to Dec 11), the California Nurses Association Climate Convergence (Dec 3) at Pershing Square and Building Blocks Against Climate Change (Dec 12) along Wilshire Blvd.
The 2014 film controversially reinstated the radical legacy of Rev. Dr. Martin Luther King Jr., where he spoke out against war and poverty and was marginalized by the political establishment as a result. This review of Ava DuVernay’s Selma is by Zaid Jilani.
“In my work, as a writer, I only photograph, in words, what I see. If I write of “sadism” it is because it exists, I didn’t invent it, and if some terrible act occurs in my work it is because such things happen in our lives. I am not on the side of evil, if such a thing as evil abounds.” — Charles Bukowski
Orson Welles, the cinematic genius who ended his days selling cheap wine, was both noble and feeble, titanic and pathetic, sacred monster and profane clown, says Peter Conrad. We take samples from his oeuvre, his noir thriller The Stranger and his stylistic fragmentation, Othello.
Walkabout, vision quest, walking in Dreamtime, all of it refers to a particular rite of passage from the indigenous Australians, but also in evidence in animist cultures throughout the world. The 1971 film of the same name narrates a young woman and her brother’s journey beyond their Western frame, but never quite able to follow the ancestor paths, or songlines, of the land.
Robert Pinsky on Sylvia Plath: “Thrashing, hyperactive, perpetually accelerated, the poems of Sylvia Plath catch the feeling of a profligate, hurt imagination, throwing off images and phrases with the energy of a runaway horse or a machine with its throttle stuck wide open.”