An Array of Utopian Flowers
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Coming in Fall 2022 – The Fifth Fedora Anthology
Posted on May 15, 2022 | No Comments -
Detroit Hives: Honey Bee Farms as Urban Revitalization
Posted on May 7, 2022 | No Comments -
Indigenous Regeneration: Remembering the Past to Inspire the Future
Posted on May 1, 2022 | No Comments -
Indigenous Peoples of Mexico Unite Against Corporate Mega-Projects
Posted on April 23, 2022 | No Comments -
The Right to Repair Your Devices & the Corporate Stranglehold
Posted on April 19, 2022 | No Comments
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WilderUtopia in 102 Languages
Daily Dose of the Wild
Twittering from the Trees
‘Medicine Walk’ Featured in SBLitJo
Santa Barbara Literary Journal released ‘Bellatrix: Volume 3’ in June 2019, which among adventurous fiction, poetry, essays, and lyrics, features an excerpt of Jack Eidt’s psychic-animism fiction, Medicine Walk. Buy the book!
Culture Archive
Missions of Culture: Reclaiming Indigenous Wisdom with Caroline Ward Holland
Posted on August 6, 2020 | 3 CommentsTune in as EcoJustice Radio welcomes Caroline Ward Holland, a Tribal citizen of the Fernandeño Band of Mission Indians or Tataviam Nation, as she speaks on the ongoing movement to topple controversial Mission monuments and mythologies. She recounts with host Carry Kim her Walk for the Ancestors in 2015, a pilgrimage she embarked upon with her son, Kagen Holland, to honor the Ancestors at all 21 missions in California.Tribal Sovereignty and Self Determination
Posted on February 27, 2020 | 8 CommentsIn this episode of EcoJustice Radio, we interview two Indigenous activists working toward a model of self-determination and a brighter future for the planet through Indigenous prosperity, Manape LaMere and SunRose IronShell.Corazón Vaquero: Last of the Californio Cowboys of Baja California
Posted on May 8, 2017 | 2 CommentsThe film 'Corazón Vaquero: The Heart of the Cowboy', documents the rural "Californios," raising livestock in the way of their Spanish ancestors in the Southern Baja California mountains. Facing tourism development, road building, and cultural changes, the isolated ranchos still persist with their self-sustaining subsistence-based way of life.Nico, Warhol Muse, from the Dark Side of the Street
Posted on November 24, 2016 | 1 CommentAt one time billed as the Moon Goddess and Andy Warhol It-Girl, singer Nico's dark, avant-garde music and deep, hypnotic voice were first heard in the Velvet Underground. She continued to work sporadically as a solo artist after leaving the Velvets, though a longtime heroin addiction and methadone dependency sidetracked her career. Check out the documentary on her life, Nico:Icon.Is Day of the Dead Culture in SF’s Mission Endangered?
Posted on October 30, 2016 | 1 CommentIn San Francisco, the Mission District has celebrated Day of the Dead every year in since the early 70’s with altars in Garfield Park, serving as a community graveyard for the night and through art, music, other live performances and a walking procession. With the neighborhood in transition from rapid gentrification, will this vibrant culture rite continue? Yes, for now... Photos by Jack Eidt from 2015.Digital Meets Tribal in Fourth World “Possible Musics”
Posted on March 18, 2016 | 2 CommentsComposer/Trumpeter Jon Hassell proposes that Western music (and culture), must simultaneously look forward with technology and innovative forms, while cultivating a relationship to the rich multiplicity of the earth's tribal musics.Calavera de Azúcar: Painted Sugar Skulls on Dia de los Muertos
Posted on November 13, 2014 | No CommentsMexico's traditional celebration of Dia de los Muertos embraces the inevitability of death. Painting faces in the style of Santa Muerte (Saint Death), Calavera Catrina (Dame Skeleton), or another loving tribute to the counter-Guadalupe icon Frida Kahlo pays homage to the beauty in death, offering eye-candy sugar skulls in tribute to the ancestors.Will Self: Talentless Hipsters and Commodification Culture
Posted on September 30, 2014 | 3 CommentsThis awful cult of talentless hipsters has its Mecca in Los Angeles, according to Will Self. He asserts his generation took the avant-garde and turned it into a successful rearguard action by the flying columns of capitalism’s blitzkrieg. What to make of the commodification and democratization of culture, and where to go from here?