Culture and Coexistence into the Great Unknown
An expanse of earth, adorned, improved, contoured, designed, and experienced. Architecture, travel, design, culture.
Mexico’s traditional celebration of Dia de los Muertos embraces the inevitability of death. Painting faces in the style of Santa Muerte (Saint Death), Calavera Catrina (Dame Skeleton), or another loving tribute to the counter-Guadalupe icon Frida Kahlo pays homage to the beauty in death, offering eye-candy sugar skulls in tribute to the ancestors.
Lucifer Rising is Kenneth Anger’s portrait of the love generation, the dawning of a new age and morality. Inspired by the ancient solar religions and conceived with occultist Aleister Crowley’s vision of the Age of Aquarius.
This awful cult of talentless hipsters has its Mecca in Los Angeles, according to Will Self. He asserts his generation took the avant-garde and turned it into a successful rearguard action by the flying columns of capitalism’s blitzkrieg. What to make of the commodification and democratization of culture, and where to go from here?
Punk Rock: the thrashing, slamming, moshing…and the art. First you smash all the institutions, but then find the institutions have enshrined you. Here is a history of Black Flag told through the mesmerizing and beyond-satirical art of Raymond Pettibon.
Buckminster Fuller, architect, engineer, geometrician, philosopher, futurist, inventor of the famous geodesic dome, put forth an original form of sustainable living for humanity. He posited that systems thinking helps us understand our connectedness and dependence on our local biome. Watch the 1974 film “The World of R. Buckminster Fuller.”
Waves of Grain is a two minute strata-cut animation by filmmaker Keith Skretch who planed a block of wood in tiny increments, taking photographs along the way. The final video reveals a repetitive flowing sense of motion as the camera moves effortlessly through the block revealing sinuous curves of wood grain appearing to ripple like water.
Hans Hollein, artist, designer, theoretician and Pritzker Prize-winning architect from Vienna, who breathed postmodernist life into everything from buildings to furniture to tableware, died recently. Julie Iovine writes on this multi-dimensional creative force, particularly known for his museum design, including Vienna’s Haas House (1990) and Frankfurt’s Museum of Modern Art.