Culture and Coexistence into the Great Unknown
Performance arts, music, film, drama and literature, creative expressions presented on the world stage seeking earth balance, harmony, dissonance, abstraction and concept.
Welcome to the Anthropocene age, where humans have transmogrified the planet, its oceans and atmosphere, caused mass extinctions and wholesale contamination that will remain for millennia. Beyond the politicians and scientists, the way forward remains in the hands of writers, artists, and designers taking inspiration from wild earth in a movement called Geo-Fauvism.
Sound, video, and fury presented on the passing of Richard Lyons, also known as Pastor Dick, co-founder of culture-jamming avant garde music collective Negativland, the third member to die in the last year.
Ethnobotanist Richard Evans Schultes, one of the most important plant explorers of the 20th century, served as a key inspiration in a recent film called “Embrace of the Serpent.” In December 1941, Schultes entered the Amazon to study how indigenous peoples used plants for medicinal, ritual, and practical purposes. After nearly a decade of fieldwork, he made significant discoveries about the sacred hallucinogen ayahuasca. In total, Schultes would collect more than 24,000 species of plants including some 300 species new to Western science.
B. Traven, German underground author, anarchist and writer of the Treasure of Sierra Madre, purposely obscured his origins to evade consequences from his revolutionary past in Germany and to stoke his literary mystery that hinged upon his words: “An author should have no other biography than his books.”
Jack Eidt, reading from a literary vision quest called “Medicine Walk,” Part of Environmental and Activist Poetry/Fiction at Beyond Baroque Literary Arts Center in Venice, CA. 12/5/2015, from the Vision LA 2015 Climate Change Arts Festival.
Composer/Trumpeter Jon Hassell proposes that Western music (and culture), must simultaneously look forward with technology and innovative forms, while cultivating a relationship to the rich multiplicity of the earth’s tribal musics.
A documentary on Japanese literary postmodernist Haruki Murakami, as well as a folktale from his novel, “Colorless Tsukuru Tazaki and His Years of Pilgrimage.” As the Guardian puts it: “Full of ambiguity and sex – all Murakami’s signature flourishes are here.”