San Onofre Nuke Plant was designed for a 7.0 earthquake, but sits next to a fault with an 8.0 earthquake probability — 10 times stronger and long overdue.
Recent Posts
Keystone XL Blockade: Defending the Land and Water from Tar Sands Oil
While bulldozers and diggers bashed a 50-foor-wide path for the Keystone XL pipeline, planned from Cushing, Oklahoma to Port Arthur, Texas, a group of tar sands blockaders have taken to the trees.
Frank Gehry: Toronto’s Trio of Living Sculptures
Developer David Mirvish hopes his string of sculptural towers in Toronto arts district will provide an antidote for the banality of the traditional glass box condo tower. “I am not building condominiums,” he said at the announcement. “I am building three sculptures for people to live in.”
A Los Angeles Rail~Volution: A City in Sustainable Transition
The Rail~Volution Conference rolled into Los Angeles to illustrate how transit projects energize neighborhoods, meeting a significant demand for multi-density housing walkable to restaurants, offices, and shops. They can transform the landscape and mindset, in this case, of auto-addicted Southern California. One stop at a time.
Kumeyaay People: Traditions Survive in Baja California
Groups of Kumeyaay People live in the isolated canyons of the Tijuana River watershed, high in the Baja California peninsula. They harvest acorns and pine nuts, hunt rattlesnake and small animals, collect grasses to weave baskets. They allow a glimpse of what life in Southern California before the Spanish arrived was like.
Earthship Biotecture: Self-Sufficient, Off-the-Grid Communities
Passive solar Earthships provide electricity, potable water, sustainable food production, with contained sewage treatment, and can be built anywhere in the world. Renegade eco-architect Michael Reynolds’ construction and design process called Earthship Biotecture creates beyond LEED Architecture, a sustainable green building design made of natural and recycled materials.
Midway Atoll: The Plastic Plight of the Albatross
A short film follows artist Chris Jordan to investigate the thousands of albatrosses dying from ingestion of plastic from the Pacific Garbage Patch. The Albatross journey across the sea takes them over the world’s largest dump: slowly rotating masses of partially-submerged trash between San Francisco and Hawai’i.