Culture and Coexistence into the Great Unknown
“Art is never chaste,” said Pablo Picasso. “Art is dangerous.” One of the 20th century’s greatest painters was born in Málaga, Spain, but Jonathan Jones argues he came into his own amid the sleaze and bohemianism of Paris – the only city that could have matched his peerless imagination.
Champion of the disinherited of postwar Italy, Pier Paolo Pasolini’s masterworks prefigured his country’s fall to a consumerist Heart of Darkness, an uncompromising vision that may have led to his own wretched death. A biopic by Abel Ferrara that premiered at the Venice biennale reconstructed the last hours of the Italian film director, who was murdered in 1975.
The colossal Misadventures of Freshman Senator Ted Cruz from Texas: Brainiac ego meets humongous hubris and everything goes off the cliff.
Jerry Collamer on the state of the nation’s political dialogue ongoing in BlondCounty and at a diner near you.
Almost forty years after his violent death, Pier Paolo Pasolini, filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around intellectual public figure, remains a subject of passionate argument. Best known for a subversive and difficult body of film work, loaded with Renaissance and Baroque iconography, he championed the disinherited and damned of postwar Italy, mingling an intellectual leftism with a fierce Franciscan Catholicism.
Viewed today, Rivera’s “Detroit Industry” murals might have prefigured Detroit’s downfall, but also envision a renaissance. It harkens to the earth, the races living and working in harmony, where sections of the city have been cleared of distressed neighborhoods and allowed to regrow with food crops, grasses and trees.