Culture and Coexistence into the Great Unknown
In San Francisco, the Mission District has celebrated Day of the Dead every year in since the early 70’s with altars in Garfield Park, serving as a community graveyard for the night and through art, music, other live performances and a walking procession. With the neighborhood in transition from rapid gentrification, will this vibrant culture rite continue? Yes, for now… Photos by Jack Eidt from 2015.
Part of the Mesoamerican myth of the origin of people, where Quetzalcoatl, the Plumed Serpent, descends into the Land of the Dead, Mictlán, to rescue the bones of humanity and bring them back to life.
The Mexican film Macario (1960) weaves a tale of magical realism – with special appearances by God, the Devil and Death. It all begins on the Day of the Dead, when a campesino named Macario goes on a hunger strike. B. Traven, the mysterious German writer exiled in Mexico, wrote the story, inspired from indigenous folk tales.
In the pre-Hispanic era, skulls were kept as trophies and displayed during the rituals to symbolize death and rebirth. These ancestors passed down the knowledge that souls exist after death, resting in Mictlan, the land of the dead, not for judgment or resurrection, but for the day each year when they could return home to visit their loved ones.
Olvera Street near downtown Los Angeles burst with color, reverence, and dance for the annual Dia de los Muertos celebration and procession.
Short poems, anecdotes, mocking or reverent tributes, called calaveras or “skulls,” are given to celebrate public or private figures. In Los Angeles, for the last seven years Tropico de Nopal Gallery has taken the custom into the realm of performance art-fashion show-walking altar display.