Culture and Coexistence into the Great Unknown
His alter-ego Zuckerman, unconsciously frightened of success and of failure, frightened of being admired and also despised, frightened of being frightened, he unconsciously suppressed his talent, frightened of what it might do next. On the passing of Philip Roth, we look into his often black comic chronicles of an imagined life, his taking down and reshaping the meaning of ‘Jewish American’, and his play at historic re-creating the zeitgeist within the form of the novel.
Paul Bowles during his life (1910-1999) remained aloof from all the hipsters and hypesters of U.S. letters. Living in self-imposed exile in Tangier, he had cast a spell over such talents as Tennessee Williams, Libby Holman, Truman Capote, and Allen Ginsberg. We revisit an essay penned by Jay McInerny in 1985, on how the inimitable expatriate writer-composer’s dark arts retain their power, even more so 32 years later.
An excerpt of Jack Eidt’s recent novel ‘Nowhere Beckons’ was published in the Luna Review. Called ‘The Blue Basement’, it narrates the protagonist T.’s visionary descent into the urban underworld, where ideas, light, and color blend, and surviving on the journey to the end of the night is everything.
Max Talley’s surreal and disturbing story posits a lone traveler who stumbles into an eerie alternative universe, a quiet utopia, or a slow death trap. Read the entire story for free online at Chantwood Magazine.
Monte Schulz’s literary novel Crossing Eden (Fantagraphics Books), sweeps across the Midwestern U.S. landscape through the story of a family pulled apart in the Jazz Age summer of 1929. A failed businessman, seduced by city lights and the dream of wealth and power, divides himself from his wife and children, while a troubled farm boy runs away from home in the company of a gangster.
Welcome to the Anthropocene age, where humans have transmogrified the planet, its oceans and atmosphere, caused mass extinctions and wholesale contamination that will remain for millennia. Beyond the politicians and scientists, the way forward remains in the hands of writers, artists, and designers taking inspiration from wild earth in a movement called Geo-Fauvism.
B. Traven, German underground author, anarchist and writer of the Treasure of Sierra Madre, purposely obscured his origins to evade consequences from his revolutionary past in Germany and to stoke his literary mystery that hinged upon his words: “An author should have no other biography than his books.”