Postcommodity is a collective of American Indian artists from different backgrounds and mediums, combining to create giant musical instrument installations, video, sound and sculpture. Their Repellent Fence installation floated Scare-Eye Bird Repellent balloons over the border between Arizona and Sonora.
Recent Posts
Film: Carlos Reygadas Meditates on the Mennonites of Mexico
Carlos Reygadas, the Mexican surrealistic filmmaker known for confounding audiences with somnolent landscapes and stark visions of humanity melding among the wily breeze, the flow of a silent river, and the meander of children wandering through tall grass. He has created a subtle masterpiece with his 2007 film Silent Light.
Tar Sands Oil “Bomb” Trains Proposed for California
We must find cleaner, safer alternatives to these ecosystem-fouling, climate-disrupting extreme fossil fuels like tar sands and fracked oil shale, and their exploding oil trains, bursting pipelines, and accident-prone refineries.
Dire Ecological Consequences of the Porter Ranch Gas Leak
The ongoing ecological disaster has been “temporarily controlled” in Porter Ranch, California, an affluent Los Angeles suburb. Yet, families continue to get sick, and SoCalGas/Sempra wants to oversee the testing inside of homes. While the Regional Air Quality regulators requested they close the leaking well down, the AQMD failed to listen to community demands for a permanent shut down of Aliso Canyon Storage Facility.
Kogi People’s Lesson From the Heart of the Mountain
The Kogi People of Colombia, through two separate documentaries, delivered a message of a sustainable interconnection with nature and community as a way to avert climate and ecological destruction.
Brian Eno: A Visual Music of Ambient Melody
The principal innovator of Ambient and Generative Music, multi-media composer and producer/collaborator with David Bowie, Talking Heads, and U2, Brian Eno is most fascinated by chance music by performers who ‘don’t completely understand their territory’
The Big Short: A Culture Charmed by a Smiling Oligarchy
Guy Zimmerman, in reviewing the new Wall Street film The Big Short, muses on the desperate conformity required in today’s entertainment in this new Gilded Age of oligarchy and disempowerment that has overtaken culture in the U.S.