Stephen Vessels continues his series on rare examples of underappreciated classical music composers from around the world. This stop, Azerbaijan’s Vasif Adigezalov, best known for incorporating traditional modal mugham music into his works.
Tag: composers
Digital Meets Tribal in Fourth World “Possible Musics”
Composer/Trumpeter Jon Hassell proposes that Western music (and culture), must simultaneously look forward with technology and innovative forms, while cultivating a relationship to the rich multiplicity of the earth’s tribal musics.
Brian Eno: A Visual Music of Ambient Melody
The principal innovator of Ambient and Generative Music, multi-media composer and producer/collaborator with David Bowie, Talking Heads, and U2, Brian Eno is most fascinated by chance music by performers who ‘don’t completely understand their territory’
Pursuit of Beauty: William Alwyn’s Classical Romanticism
Rising from the East Anglian shadows of Benjamin Britten, William Alwyn’s prolific compositions and pioneering film scores from the 1940s-50s set him apart in 20th Century classical music. Stephen Vessels curates the discussion.
German Composer’s Paean to a Healing Work of Renaissance Art
One of the 20th Century’s most influential composers, Paul Hindemith created the neo-classical-folk-inspired symphony Mathis der Maler, based on the life of the mysterious 16th Century painter Matthias Grunewald, whose masterpiece associated Saint Anthony and the Virgin Mary with the miraculous cure of the epidemic skin disease called St. Anthony’s Fire.
Karlheinz Stockhausen: Cosmic Pulses of Sound from the Dog Star
On the inimitable and controversial Karlheinz Stockhausen, German composer who fused science fiction with classical music, whose 20th Century groundbreaking creations expanded the bounds of electronic music and serial compositions from the brightest star Sirius.
Delia Derbyshire: ’60s Science Fiction Sound Art
Watch “The Delian Mode” a documentary on the innovative electronic music pioneer Delia Derbyshire, who worked from 1960 to 1973 at the BBC Radiophonic Workshop. She utilized both real-life and ‘artificial’ electronic sounds in her compositions using a musical style known as Musique Concrète.