The Art Of Sounds is a 2007 documentary on French electronic music pioneer Pierre Henry (1927 – 2017). Henry, along with his colleague Pierre Schaeffer, creating a form they dubbed musique concrète – an approach to electronic music based on using recorded sampling (also known as ‘found-object’) as source material.
Tag: electronic music
Pauline Oliveros and her Beautiful Canopies of Sound
Pauline Oliveros was a vital creator of new music, a renowned electronic art music innovator and composer, an accordionist, the founder of deep listening and other experimental practices, a genius inventor of sound-making software, and a fearless champion on issues of gender, race, ability, and sexual orientation. Following is an essay on her “Sonic Meditations.”
Speaking in Sonic Tongues – dublab’s DJ Nanny Cantaloupe
dublab innovates music, arts and culture with it’s freeform internet radio broadcasts in an age where access to mind-bending creation is both limited and expanded. Premiere sonic explorer, Mitchell Brown <
Appropriating the Media Barrage with Negativland
Sound, video, and fury presented on the passing of Richard Lyons, also known as Pastor Dick, co-founder of culture-jamming avant garde music collective Negativland, the third member to die in the last year.
Brian Eno: A Visual Music of Ambient Melody
The principal innovator of Ambient and Generative Music, multi-media composer and producer/collaborator with David Bowie, Talking Heads, and U2, Brian Eno is most fascinated by chance music by performers who ‘don’t completely understand their territory’
Karlheinz Stockhausen: Cosmic Pulses of Sound from the Dog Star
On the inimitable and controversial Karlheinz Stockhausen, German composer who fused science fiction with classical music, whose 20th Century groundbreaking creations expanded the bounds of electronic music and serial compositions from the brightest star Sirius.
Delia Derbyshire: ’60s Science Fiction Sound Art
Watch “The Delian Mode” a documentary on the innovative electronic music pioneer Delia Derbyshire, who worked from 1960 to 1973 at the BBC Radiophonic Workshop. She utilized both real-life and ‘artificial’ electronic sounds in her compositions using a musical style known as Musique Concrète.