Culture and Coexistence into the Great Unknown
Big Bear in the San Bernardino Mountains has year-round outdoor attractions, including skiing, hiking, boating, and fishing. Yet long before the resorts, the area was called Yuhaviat, or “Pine Place” by the original inhabitants, the San Manuel Band of Serrano Mission Indians, with their sacred site of snow quartz called the Eye of God.
While stopping short of full endangered species protections for the Greater Sage-Grouse, the Obama-era Fish and Wildlife Service implemented land use plans to restrict energy development and grazing in the expanse of northwestern U.S. desert called the Sagebrush Sea, depicted in a 2015 documentary. The Trump Interior Department attempted to amend that plan to open up more commercial activities. We feature here an essay on Wyoming’s core plan attempts to salvage the state’s last populations in a landscape dominated by energy development.
In honor of Labor Day and the continuing inequality in the U.S. economic system, Christopher Ketcham’s essay was published a Occupy Wall Street was taking off in 2011. The problem continues: money given out in Wall Street bonuses in 2014 was twice the amount all minimum-wage workers earned combined.
Prehistoric paintings on vertical rock faces in an Amazonian wilderness in Colombia were recently photographed and filmed for western eyes. The pretense of this British filmmaker as the “discoverer” of the paintings is of course ludicrous. The once populous Karijona Tribe most likely painted these masterpieces, and continue to live uncontacted in the vast rainforest, and anthropologists and explorers have studied the region for hundreds of years.
The Kumeyaay of southern and Baja California have a rich history of coexistence on the border of California and Mexico in the mountainous region of San Diego County. Here we republish Florence Shipek’s treatise on the preservation of their sacred mountain called Kuuchamaa, also known as Cuchuma, as well as several videos on their culture, history and stories.
Rising from the East Anglian shadows of Benjamin Britten, William Alwyn’s prolific compositions and pioneering film scores from the 1940s-50s set him apart in 20th Century classical music. Stephen Vessels curates the discussion.
Do today’s elite lack the patience and culture for classical music? Or is it a matter of cultural dominance of the popular, the fame producing, and capital revenue streams which have sacrificed painstaking complex creation? John Halle opines.
‘Bellatrix: Volume 3’, features adventurous fiction, poetry, essays, and lyrics, and an excerpt of Jack Eidt’s psychic-animism fiction, Medicine Walk.
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